Contents

Chinese music (quarterly), period 2 of 2017 (total 146 periods)

Special column: Chinese music school

5 /Wu Wenguang/my opinion on Qin Music and artistic practice

12 /Zhang Yunqing)/systematical and theoretical comparison between Chinese Beijing opera and western opera

19 /Du Mingxin/my new thought of creation and analysis

25 /Zhao Weiping/historical theory establishment of “Chinese music school”-speak for seminar of “Chinese music schools and Chinese music festival” of Chinese Conservatory of Music

Ancient music history and modern music history

29 /Wang Zichu/analysis on chimes rhyme in three emperors’ tomb in the Western Han Dynasty (Volume II)

36 /Wang Youhua/ “8+8” structure of combined chimes in later period of the Western Zhou Dynasty and early stage of the Spring and Autumn Period

42 /Kang Xiao/Xiao Youmei and his Harmonics

50 /Sun Xiaodi/the pioneer of musical thoughts in Tang and Song dynasties-take exegesis in Kong Yingda to Book of Rites for example

59 /Zhu Xiajun/discussion on Tang Xianzu and north opera

Ethnomusicology (and?) traditional music theory

68 /Deng Rujin and Pan Qixu/ chanting rule and artistic characteristics of “Shina Ditaiyue” of folk song of Zhuang nationality in Debao

74 /Li Weilin/cross-border comparison study of traditional instruments of China, Laos, Burma and dandai nationality of Thailand-take plucked and stringed instruments for example

84 /Hong Yan/”epic song” or “epic poem”?- study object of minorities on epic songs

89 /Yu Zhaoxin/ based on characteristic comparison of domestic and foreign dulcimer acoustics in anechoic room

105 /Liu Jing/nature is the law and writes my life-relation among “flower”, environment and geography

110 /Liu Yiqun/analysis and explanation of music characteristics of Yuanling folk song

118 /Huang Xiaotao/current situation of Fuzhou tune of chanting and its active characteristics and cause analysis

Theory of composition and works analysis

125 / Gao Jiajia/explore new mode of talent training and climb new peak of creation of ethnic orchestral music (Volume I)-record of creation team result of China Conservatory of Music

138 /Jiang Xiaolu/trees with firm roots must be booming and fruitful-discuss national chamber music creation of Liu Qing by taking Sha Wei and Xixiyan

149 /Zhang Kai and Dong Bixi/creation analysis on Adaptation for Concert, piano works of Zhang Zhao

Music education

157 /(Hong Kong) LEUNG Bo Wah (Liang Baohua), Liu Pei (translator)/ study on influence factors of pupil music creation motive n Hong Kong

168 /Ha Zheng and Ran Tengyu/related study on inner hearing and memory of music

Book review and commentary

176 /Hu Liang/ pathfinder of times- evaluation on academic study field and achievement of Prof. Luo Qin

180 /Ma Li/current condition of German ethnomusicology

192 /Jiang Nan/hot field constitution and enlightenment of Chinese arts management study-analysis based on CNKI2011- literature in 2015

195 /Wei Yanfei/ origin of national vocal music of China in contemporary era- development overview of Chinese national vocal music in medium stage of the 20^th century

200 /Wang Yuqi/ practice and exploration of “cross-disciplines cross and integration”

204 /Zhang Yi/advanced multiple construction-academic annual conference in 2017 of “Beijing National Music Study and Communication Base”.