Contents

Chinese music (quarterly), period 3 of 2017 (total 147 periods)

Special column: Chinese National School of Music

5 ／Tian Qing／ Is music included in the realm of excellent traditional culture?

12 ／Li Jiti／new experience of Chinese opera effectively referring to traditional opera elements-taking Ode to Farewell, an opera by Ye Xiaogang for example

20 ／Liu Dehai／growth and orientation-recorded in Expert Forum of “Chinese music schools”

Ethnomusicology traditional music theory

28 /Tian Liantao/ analysis on musical structure of traditional Tibetan music with comprehensive application of Chinese and Western theoretical method

38 /Boteletu (Yang Yucheng)/ process expression of oral performance-taking oral succession of music of the Mongol nationality for example

50 /Huang Hu/principle, main element and method of ballad division

57 /Li Hongmei/from collective memory to cultural memory- national culture identification of Genghis Khan sacrificial ceremony music

63 /Su Yimiao/study and comparison of ethnic origin relation between lolo people in north of Vietnam and Nisu of Yi nationality in South Yunnan of China

69 /Sun Weiyi/unvoiced sound memory-investigation and research of unvoiced sound music association in Chengteh of Hebei Province

Ancient music history and modern and contemporary music history

75/Fang Jianjun/ music archaeology and study on ancient music relics

83. /Wang Qinglei/discussion on chimes in Duke Haihun’s tomb

93/Yan Wei/investigation on Taming the Dragon and Master Jingfang Family

102 /Yang Tianxing/new investigation of writer of Harp Theory

Musical performance

107 /Fan Weici/rhythm of Qin and Zheng (traditional Chinese musical instruments)- discussion on rhythm of Chinese zither in zither music style of Liang Zaiping and Chen Lei

116 /Xu Lingzi/ witness change of music image in zheng music Jackdaw Plays with Water in time-space rotation

122 /Qiu Qi/ affection, poetry, drawing, artistic conception-discussion on creation and explanation for zither works of Xu Xiaolin

128 /Jiang Danxi/ summary of Traditional Chinese Zither Music Art Festival and the 2^nd Hanya Prize in 2016 as well as Traditional Chinese Zither Music Performance (Chengdu) Invitational Tournament

Theory of composition and works analysis

132 /Zhao Songguang/nine chapter of contemplation about function of harmony (Volume I)

153 /Guo Xin/integration method of professional composition thought in vocal music design of female lead heroine during “model opera”-taking Loyalty to People and Party, a section of modern opera for example

170 /Gao Jiajia/explore new mode of talent training and climb new peak of creation of ethnic orchestral music (Volume II)-record of creation team result of China Conservatory of Music

Music education

178 /Du Yaxiong/several measures for nationalization of Zoltán Kodály’s teaching methodology

184 /Gu Liping/discussion on educational opportunity of “cultural confidence”

188 /Zhang Dan/ rhythm connotation and play skill of Ligeti in Piano Etude

Book review and commentary

194 /Han Bing/ research overview of Chinese scholars since 1977 for overseas cross-border folk music in drainage basin of Lantsang-Mekong

206 /Liu Wei/ book review of Introduction of Describing Music Morphology

210 /Li Huan and Luo Tianyu/ meeting overview of educational seminar of art major degree postgraduate in national music and dance field