Contents

Chinese Music (Quarterly) 2016 Periodical 2^nd (General Periodical 142^nd)

Special Column: Chinese Music Seminar and Commemorating Composer—Meastro. JIN Xiang

5/Jiaxing Xie/History of “New Century Chinese Music Seminar”

14/Jin Song/Theory of Composition of Xiang Jin and Chinese Music Seminar—for Seminar of Xiang Jin’s 80^th Birthday

21/Jinzi Yang/Chinese Traditional Chinese Music Elements Contained in the Opera—Sunrise

27/Jingyan Zhu and Jianjun Yuan/Forging Ahead—Brief Account for Series Academic Activities of Xiang Jin’s 80^th Birthday

Ancient Music History and Modern Music History

31/Mei Li/Analysis on Yuanding Cai’s Yan Music Collection—Guangqi Wang’s misunderstandings in Explaining “Change” and “Deviation”

40/Hongfeng Li/Practice Foundation and Connotation of Music Study in Modes of Ancient Chinese Music Zaju of the Yuan Dynasty (Part 2)

49/Kebin Song/Formation and Fixation of Chime “Basic Unit”— Microanalysis on “Compilation—Series of Sound” Structure of Four and Eight Yong Bell in the Western Zhou Dynasty

56/Guowei Ma/Functions and Purposes of “Gou Tiao”

63/Xiaotong Lu/Primary Analysis on Historical Data and the Style of Duanlin Ma’s Musical literature Instrument Chapter of General Investigation

Ethnomusicology and Traditional Music Theory

68/Qinru Zhou/Sound & Image Record and Description Method of Folk Music Annals—Research on Mantle Hood’s Academic Literature—Talking Ghana Atongpang Drum

81/Hasi Bateer/Spelling Symbol and Meaning Interpretation of Genghis Khan’s Sacrificial Song

87/Yijun Yao and Yuqi Wang/Research on Etymology of “Stringed Instruments and Accompaniment Music”

93/Xiaoshi Wei/Summarizing Phenomenology of Modern Thinking and Music—Jellard Dyke’s Music Collection of Northern Thailand

101/Fujie Li/Cultural Significance on Music Score of Japan, China and Western Country on the Basis of Ethnic Musicology—Brief Discussion on Advantages and Disadvantages of Chinese Zither’s Music Score of Chinese and Japanese and Stave of Western Countries in Inheriting  Traditional Music

108/Xuan Xiao/Mutual “Custom” and “Song”, Different “Tunes”—Chinese Male and Female’s Attitude towards Sharing and Difference of Songs

114/Ruxin Guo/Analysis on the skills of “embellish cavity” in Chinese Vocal Music) —Taking  The Prune Tree in Front of My Window is my Friend My Friend, Prune Tree in Front of My Window of Shangdang Bangzi (one of Shanxi dramas) for Example

Theory of Composition and Analysis of Compositions

122/Yufeng Ma/Analysis on Application Skills of “Semitone-based Three -Notes Group” —Research on Free and Atonal Harmonic Language of the Opera—Expectation

133/Jingjing Bian/Endless Music Movements from a single note—Features of Timbre, Sound and Technique in  Wenchen Qin’s Composition (Sound of the Boundary?)

152/Lu Li /Taking Xiaoyong Chen’s Unseen Scenery to Analyze Validity of Soundism’s Analytical Method

163/Sun Yi /Analysis on the Structures of the Coda in the set of Symphonies of Vaughan Williams

170/Jingjian Li/Research on Melodic lines of Yashu Xu’s Orchestral Music—Nirvana

Commentaries and Book Reviews

180/Zhen Teng/Interpretation and Reconstruction: The Property and Features of Islamic Musical Culture—Comments on Zongde Cai’s Islamic Global Music Culture

186/Yuan Li/Practice View on Aesthetics-oriented Music Education—Comment on Keith Swanick’s Immersed Music Teaching

192/Xinwei Wu/Gender Rhetoric of “The ‘Artusi-Monteverdi’ Controversy” against the Feminism’s Narratology—Comment on Narrative Strategy of the ‘Artusi-Monteverdi’ Controversy

200/Hui Yao/Memory Rebuilding—Suggestions of Inner Mongolian Folk Music Collection—Masterwork Series 

203/Zhiling He/Sidelights of Russian Conference of Musical Instrument and Music Collection Committee, 2015 International Council of Museums and Reflection on Relevant Problems of China Musical Instruments Museum