Contents

Chinese Music (Quarterly) 2017 Periodical 1^st (General Periodical 145^th)

Special Column 1: Chinese National School of Music

5/Liguang Wang/President’s Speech

8/Jiuhua Yang/ Doctrinal Reflection on “Chinese Music School”

12/Yijun Yao/Reflection on Theory Construction of Chinese Arts of Singing

14/Xuewen Ma/Inheritance, Innovation and Development—An Overview of the forum “Chinese National School of Music and Chinese Music Festival” of 2016 China Conservatory of Music

21/Ping Xiao/High-grade, Superior and Beijing Advanced Innovation Center for Chinese National School of Music “Theory Construction of Chinese Vocal Music Art Seminar”

Special Column 2: Religious Music

24/Hong Liu/Leading to Taoist rites: Rediscussion on Taoism Music of Rite—from Field Observation of Baiyun Taoist Temple in Jiaxian County in the North of Shanxi

38/Xiaodong Hu/Genres and Structures of Yoga Yankou Sadhana Drubtab Music in Chongqing Region—Taking Chongqing Luohan Temple for Example

49/Gaowa Fan/ Diversity in Harmony: Comparative Study of Sutras Music of Tibetan Language of Mongolian Buddhism—Taking Sadhana Drubtab of Wu Shang Yoga Bu Da Wei De Jin Gang Shi San Zun for Example

Ethnic Musicology and Traditional Music Theory

63/Guiteng Liu/ Experiencing by oneself: Orientation, Tracking and Individual Case—Field Practice of Music Ethnography Method

70/Xiaonan Zhao/ “Statement, Explanation, Reconstruction and Completion”: Wu Wenguang’ View on Chinese Zither—Including Collection and Concert of “Inheritance and Creation of Chinese Zither Arts from Wu School of Yushan Mountain”

74/Ling Zhao/Local Knowledge of Musical Culture of Baikuyao Minority’s Bronze Drum—Taking Dongmeng Stockade Village of Guizhou Province for Example

83/Hejie Gao/ Against “Storm” of Remolding and Integration: Improvement of Chinese Musical Instruments in the Middle of the 20^th Century—About Three Musical Instruments Improvements Conferences in Beijing in 1954, 1959 and 1961

95/Fangneng Da/In the Principle of Unity in Diversity, Inheritage and Development of “Mid-July Days” Song Festival of Guangxi Resources

102/Cheng Li and Songlin Wu/Features of Historical Culture and Contemporary Existence of Huizhou Traditional Music

106/Xuejun Zhang/Analysis on Historical Origin of Common Systematic Tunes of Elbow drum of Shandong

112/Shuli Shang/Analysis on Structural Relationship of Cha Qu Drama’s Common Systematic Tunes and Words

126/Jing Zhuang/“Hierarchy” of Music Society in Northern India

Ancient Music History and Modern Music History

134/Zichu Wang/ Analysis on Temperament of Chime of Three Tombs of the Western Han Dynasty (Part 1)

147/Chunwei Yang/Discussion about Development of Keyboard Music on the Basis of Evolution of Modern Music Score

155/Dongyan Xue/Calendar and Rule of Twelve Temperaments’ Changes of Key—Explanation on Positive Temperament, Negative Temperament and Mutual Reinforcement

Theory of Composition and  Analysis of compositions

163/Dongmei Zhao/Pine of Qingsong Mountain—for the 80^th Birthday of Composer Shi Wanchun

173/Zhengjun Yang/Analysis on Road to Success of Folk Music’s Artistic Creation Models from Chinese Sights and Sounds

Music Performance 

179/Fei Song/Practice and Reflection on Folk Orchestra’s Trainings(rehearsals) of Huqin Instrumental Ensemble

186/Zhidan Xiao and Jizhou Cai/Comparison between different versions of the performances of an Erhu piece: North Henan Ballade 音乐教育

Music Education

194/Yujiang Zhu/Human Science View on Changes of Music Course Target of Centuried Chinese Schools

201/Lu He/Observations and Reflections on Music and Dance School of Mexico Life Activity Culture Center